Name: Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9 (en Inglés)
Price: 31610.00 CLP
Availability: InStock
Author: Christina Hellmich
ISBN: 9781474437523

portada Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9 (en Inglés)

Formato

Libro Físico

Editorial

Edinburgh University Press

Autor

Christina Hellmich

Año

2018

Idioma

Inglés

N° páginas

208

Encuadernación

Tapa Blanda

ISBN13

9781474437523

Categorías

Conocimientos básicos y técnicas de producción cinematográfica

Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9 (en Inglés)

Christina Hellmich (Autor) · Edinburgh University Press · Tapa Blanda

Libro Nuevo

$ 31.610

$ 57.470

Ahorras: $ 25.860

45% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Jueves 25 de Julio y el Lunes 05 de Agosto.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9 (en Inglés)"

The battles fought in the name of the 'war on terror' have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions. Drawing on representations of war-related death, dying and bodily damage, this provocative collection addresses 'what's missing' in existing scholarly responses to modern warfare; in film studies, as well as in politics and international relations.