Name: Jangarh Singh Shyam: A Conjuror's Archive (en Inglés)
Price: 40340.00 CLP
Availability: InStock
Author: Jain, Jyotindra
ISBN: 9789385360633

portada Jangarh Singh Shyam: A Conjuror's Archive (en Inglés)

Formato

Libro Físico

Autor

Jyotindra Jain

Editorial

Mapin Publishing Pvt

Idioma

Inglés

N° páginas

148

Encuadernación

Tapa Dura

Dimensiones

30.0 x 24.9 x 2.0 cm

Peso

1.25 kg.

ISBN13

9789385360633

Categorías

Asia meridional (subcontinente indio)
Historia del arte
Monografías sobre el arte
Historia de asia

Jangarh Singh Shyam: A Conjuror's Archive (en Inglés)

Jyotindra Jain (Autor) · Mapin Publishing Pvt · Tapa Dura

Libro Físico

$ 40.340

$ 73.340

Ahorras: $ 33.000

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Origen: Reino Unido (Costos de importación incluídos en el precio)

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Reseña del libro "Jangarh Singh Shyam: A Conjuror's Archive (en Inglés)"

-This volume offers an analysis of the work of the Gond artist Jangarh Singh Shyam -The author breaks down the too-simple narratives of 'tribal' and 'contemporary' and how they apply to this folk artist Before any sound critical framework could be evolved around the phenomenal artist Jangarh Singh Shyam as the originator of an extraordinary individualistic idiom of painting, ruthless market forces regrettably came to dominate his art and Jangarh himself became their first casualty. While trying to finish a large commission at a museum in Japan under adverse circumstances, Jangarh committed suicide in 2001. He was 40. A whole range of conditions, events and mediations associated with Jangarh's life and his art practice has since remained underexplored. This book is a first attempt to construct an equitable account of the formation of his prodigious artistic body of work that founded his legacy and grew into a movement. As a prime critical analysis of Jangarh Singh Shyam's oeuvre, this book also serves as a model framework for the study of a contemporary individual folk and tribal artist. The book probes the efficacy of extra-cultural interventions into an individual artist's operative and relatively well-grounded indigenous cultural tradition, and asks how the latter interacts with the new, while intentionally reinventing itself. This volume is published in association with the Museum of Art and Photography (MAP), Bangalore.